NUIT BLANCHE à PARIS / SAMEDI 6 OCTOBRE 2012.
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Remerciements : Sharjah Art Foundation et AMAR Foundation (Foundation for Arab Music Archiving & Research).
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Thursday 18 – Sunday 21 November 2010
Zenith Foundation and Sound and Music
MazaJ (meaning mood in Arabic) is a place of free expression, of attunement that presents sonic experimentation from the Middle East and its diaspora.
The first edition of the MazaJ Festival is a celebration of contemporary and experimental Arabic music and Middle Eastern sonic culture, taking place in London. Curated by artist Seth Ayyaz, MazaJ encourages audiences to look beyond the ‘world music’ label by stripping bare the stereotypes of ‘Arabic’ or ‘Middle Eastern’ music. Forging links between UK and Middle Eastern artists and audiences, the festival takes the form of a one-day conference and concert at City University, followed by a weekend of talks and performances at Café Oto.
The festival features work from the very best contemporary composers, live musicians, leading electronic producers and sound installation artists from the Middle East and its resonant diasporas. These artists are linked by their sonic experimentation within and without a tradition of Middle Eastern musical practice in which improvisation has always played a key role.
The Volatile Frequencies Conference at City University London will provide an academic framework for the weekend. On the Saturday, media partners The Wire will also host a panel discussion between festival artists and invited speakers to contextualise the artists’ work.
Confirmed artists performing at MazaJ include:
Seth Ayyaz (UK), Mazen Kerbaj (Lebanon), Hassan Khan (Egypt), Mutamassik (Egypt / USA), Mahmoud Refat (Egypt), Sharif Sehnaoui (Lebanon), Michael Zerang (USA)
Confirmed speakers at the MazaJ conference include:
Thomas Burkhalter, Kay Dickinson, John Hutnyk, Ziad Nawfal, Tony Herrington, John Kieffer.
Hassan Khan’s The Big One, at 100live Electronic Music Festival, Egypt, 2009.
Wormholes Project by Mazen Kerbaj & Sharif Sehnaoui, first performance, Beirut Art Centre, Lebanon, 2009.
Mutamassik’s Take the Hit, from That Which Death Cannot Destroy, 2010. Video by G.Loli
MORE INFO on http://www.soundandmusic.org/projects/mazaj & http://www.mazaj.co.uk >>> some great music on the main page, with Muslimgauze rhythms mixed with other artists like Badawi!!!
Dj set en hommage à Muslimgauze, le samedi 4 septembre 2010 à Paris.
Institut des Cultures d’Islam, 19 rue Léon, Paris 75018. Samedi 4 septembre de 22h00 à 02h00 du matin dans le Diwan orientaloccidental.
Exceptionnellement ouvert jusqu’à deux heures du matin, l’ICI accueille dans Le Salon d’Hassan Hajjaj une soirée électro live élaborée par Fedayi Pacha en hommage à l’artiste électro Muslimgauze, décédé en 1999. De son vrai nom Bryn Jones, le britannique Muslimgauze était fortement influencé par la culture arabo-musulmane et notamment celle du Moyen-Orient. Echos aux soubresauts de cette région du monde, ses rythmes saccadés et parsemés de percussions orientales dépassent la pure expérimentation et renouvellent profondément le genre musical dub.
Concert faisant parti du Festival
‘Les Veillées du Ramadan’, du 2 au 11 septembre 2010 à Paris (75).
Interview de Véronique Rieffel (directrice de l’Institut des Cultures d’Islam) sur radio RFI.
Voir le programme complet :
http://www.veillees-ramadan.com
Les concerts :
>09 septembre : Transglobal Underground (ICI)
>10 septembre : Electroriental Dub Set par Fedayi Pacha + label Hammerbass (ICI)
>11 septembre : Soirée de clôture des Veillées du Ramadan avec Amazigh Kateb, Jean-Baptiste Marino, Fedayi Pacha et le label Hammerbass, Transglobal Underground accompagné de Natacha Atlas, Héla Fattoumi et l’ensemble spirituel de Sarajevo Neshidu-I-Huda. (Théâtre du Châtelet / Soirée de clôture sur invitation, à retirer à l’ICI, dans la limite de deux par personne).
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